SHOW NOTES:
"Good fences make good neighbors"-Robert Frost,"Mending Wall"
I suspect Ryan Felton Sauter's neighbor, Keith Monroe, would agree.
People commit murder for a host of reasons. Things like financial gain, revenge, lust, anger, to cover
another crime, and many other motives. It seems that these motives can even
include a dispute with the dude who parked his RV next to yours.
All sorts of weapons are used for committing murder. Guns, knives, poisons, explosives, ligatures,
drownings, and gentle pushes off buildings or cliffs. Oh, don't forget
rattlesnakes. This seems to be what Mr. Sauter decided to employ. Simply
slipping the reptile into his neighbors RV might not work since rattlesnakes
make that buzzing noise to warn people away. So, wouldn't it be best to simply
remove the rattle. And I guess the best way for that is to bite it off.
You simply can't make this stuff up.
But snakebites are not always the result of some criminal activity. In fact, they rarely are. Most
snakebites occur accidentally. Hunters and hikers know this all too well. As a
kid growing up in Alabama, and stomping around in the woods on a daily basis, I
knew snakes well. I knew which ones to avoid and which ones were harmless. A
black racer was scary and fast, but harmless. Stumble on a rattlesnake or a
copperhead and that's a different story. And until you've seen a water
moccasin, or as we call them cottonmouth, you haven't seen an evil looking
serpent. These guys are thick, dark, and prehistoric looking. And very
dangerous. Yes, they can bite you in the water. So before you jump into that
swimming hole deep in the woods, you better make some noise and shake up the
water run off any cottonmouth might be around.
But other people are bitten while they are handling snakes. I don't mean just biologist or
herpetologist, those that study these creatures, but also those who use them in
religious ceremonies. You might think that snake handling is a thing of the
past and something that is only found in the South, but that's not true. There
are still several snake handling churches from coast-to-coast. Even though in
many locations snake owning and handling is not legal, the laws get shaky when
it's under the guise of religion.
Their justifications come from Mark 16:17-18
"And these signs
shall follow them that believe; In my name shall they cast out devils; they
shall speak with new tongues; They shall take up serpents; and if they drink
any deadly thing, it shall not hurt them; they shall lay hands on the sick, and
they shall recover."
Snake handling in churches is often traced back to 1910 when George Went Hensley began incorporating them into his services at his Church of God with Signs Following. Many others have
followed in his footsteps. And many have been bitten such as John Wayne,
"Punkin" Brown and Jamie Coots, whose son Cody was also bitten while preaching
but saved when friends defied the church dictates and got him medical treatment.
For the most part, medical treatment is not offered in the circumstances because it is felt that it's up
to the Lord whether the preacher survives or not. After all, it is religion and
the Lord can save you then what's the point? Not to mention, that many of these
groups feel that sipping strychnine is also good for you and will prevent you
from dying if you are bitten by a snake. Yeah, that makes good medical sense.
Add another poison to the poison authority in your system.
I use much of this in my third Samantha Cody book, Original Sin. One of the bad guys in this story is a snake handling preacher. During my research for this book I stumbled across a
wonderful book titled Salvation on Sand Mountain. Sand Mountain is maybe
30 or 40 miles from where I grew up so obviously the title intrigued me. Once I
got the book and began reading it I discovered it was wonderfully written and
then discovered that it was nominated for a National Book Award. It is written
by Dennis Covington and is the story of Glenn Summerford, a snake handling
preacher who attempted to kill his wife with a snake.
Here's the thing about the South-if you can't tell a story, they won't feed you. They'll simply deposit you behind the barn and let you wither away. That doesn't happen often because everyone down there can spin a yarn. Some better than others, but a story is a story. This is a rich tradition and congers up names like William Faulkner, James Dickey, Eudora Welty, Flannery O'Conner, Tennessee Williams, Mark Twain, Harper Lee, Truman Capote (who spent much of his childhood in Alabama), James Lee Burke, and the list goes on and on.
Where did this tradition come from? Since much of the South was settled by Scotch- Irish immigrants, they transported their storytelling skills across the pond. Ever hear of a Scotsman who couldn't reel off a story over a few glasses of whiskey? Me, either. Plus, the South was rural, poor, and with fewer resources, so much of society revolved around the farm, and hearth and home. Books were a luxury, meaning that family entertainment came from stories told by the fireplace.
I grew up in Alabama. Huntsville to be exact. Not your typical southern town. Sure we had acres of farmland, churches on every corner, enough pickup trucks to cause a traffic jam, and a cacophony of country music, but we also had a space program. Snuggled up to the city is NASA's Marshall Space Flight Center where Werner von Braun and cohorts built the rockets that sent men into orbit and eventually to the surface of the moon. Made for an interesting soup of folks. Rednecks and scientist, all dining on barbecue and biscuits, and of course pecan pie.
So, what is it that makes Southern storytelling so compelling? It's the many facets of the area. You can't write about the South without considering country music, the blues, country stores, cornbread, sweet tea, and the weather.
Weather: Weather is a character in Southern stories. The rain, the hair-raising electrical storms, and, of course, the heat and humidity conspire to alter everything in life. The cracking of lightning puts nerves on edge while the sauna-like air wilts your clothing, slows your walk, and stretches out your drawl like back strap molasses creeping over a mess of hotcakes. In his famous "Ten Rules of Writing," Elmore Leonard admonished authors to never start a story with the weather. He forgot to tell that to James Lee Burke. His Dave Robicheaux series moves around the swamplands of Louisiana, a place where weather is most definitely a character. Don't believe it. Read the first paragraph of his Edgar Award-winning Black Cherry Blues. Breathtaking. And his evocation of the weather draws you quickly and deeply into the story.
Characters: Southern characters are often larger than life. The local sheriff with a big gun and an even bigger belly, the cheerleader with the big smile and bouncy blond hair, the farmer with his coveralls, straw angled from his mouth, and a sun-baked red neck. There's Gone With the Wind's Scarlett O'Hara, who defies description, and Scout, who gives a child's-eye view of her father Atticus as he fights for right and justice in To Kill A Mockingbird. Robert Penn Warren's All The King's Men introduced us to Willie Stark, who channels the one-of-a-kind Huey P. Long, a man whose shadow still lays over Louisiana. Not to mention the modern-day Don Quixote Ignatius Reilly in John Kennedy Toole's masterpiece A Confederacy of Dunces.
It seems almost everyone in the South has a nickname. Sometimes even a nickname for their nickname. My Little League baseball coach was known as Breadman-I never knew his real name-and he was mostly called Bread. We played against another coach called Buttermilk-didn't know his name either-but he was called simply Milk. See, a nickname for a nickname.
Language: Yeah, we say ain't a lot. It's a great word. Has a soft feel as it rolls off the tongue. And of course y'all, which is a point of confusion for those from up north. Is y'all singular or plural? The answer is yes, and yes. It's both. You meet someone on the street and you might say, "How y'all doing?" You could mean how that person is doing or how they and their "Mom and 'em" are doing. Which brings up that phrase. Mom and 'em means all those folks around you mom-the entire family, friends, neighborhood, coworkers. It's more or less all inclusive. And then there's "all y'all." Makes sense this would be pleural but not so fast. If you ask, "How all y'all doing?" you might mean how the family or some grouping is, but you might mean how is "all of you" doing? It might seem confusing, but really, it ain't.
Food: Food is as Southern as anything. If you've never traveled to New Orleans, then you have no idea what great food truly is. We love our barbecue, fried chicken, grits, turnip greens, squash, cornbread (no sugar please), sweet tea (lot's of sugar please), and banana pudding and pecan pie. You won't find tofu and gluten-free is a foreign concept.
Football: You must understand football to understand the South. Example: I went to the University of Alabama. Roll Tide. I hate Auburn. Enough said.
If you can't see the story potential in all this, then bless your heart-an expression that doesn't necessarily mean what it seems to impart. It might be proffered as a literal gesture of good will, or it might mean: You're mentally defective and I feel sorry for your shortcomings. It's all about the context, tone, inflection, and body language.
These deep roots and my understanding of the rhythm of Southern culture led me to set most of my fictional stories in the area. My Dub Walker forensic thriller series takes place in and around Huntsville were I utilize many of the high-tech and forensic science techniques developed at NASA in the stories. Dr. Wendell Volek, a character in my first Dub book Stress Fracture, is actually Dr. David Hathaway, the director of NASA's solar imaging program as well as the developer of the VISAR system for digital image enhancement. I spent some time with David and he explained VISAR to me in great detail. It became part of the book.
The stories in my Jake Longly comedic thriller series are scattered around the South. Jake lives in Gulf Shores, Alabama, where the initial story Deep Six takes place. Then, on to New Orleans for A-List and the Florida panhandle for Sunshine State, coming in May. The next in the series, Rigged, will be out next year and is set in the wonderfully artsy community of Fairhope, Alabama. Each of these ares has its own distinct flavor, but all are quintessentially Southern.
I have another new book coming in October, the first in my Bobby Cain/Harper McCoy series. It's titled Skin In The Game and is set in and around Nashville, including the shores of Tims Ford Lake, a beautiful body of water in central Tennessee.
Two of my three published short stories are also set in the South. "Even Steven" appeared in Thriller 3: Love Is Murder and is set in Huntsville. "Bottom Line" can be found in For The Sake of the Game: Stories Inspired By the Sherlock Holmes Canon and is set in a fictional Southern locale.
So, my Southern roots are deep and broad and they inspire my stories at every turn. I now live in Orange County, CA, but my heart and soul belongs, and always will, in the South. But, that's another story.
We are so honored to bring you ex-criminal prosecutor and current bestselling author Marcia Clark. She joins us to talk about her latest book, TRIAL BY AMBUSH, her first True Crime novel.
Marcia Clark is the best selling author of nine legal thrillers and one memoir, starting with four bestselling legal thrillers featuring prosecutor Rachel Knight: The Competition, Killer Ambition, Guilt by Degrees, and Guilt by Association. TNT optioned the books for a one-hour drama series and shot the pilot, which starred Julia Stiles as Rachel Knight.
Her most recent series features criminal defense attorney Samantha Brinkman and includes Blood Defense, Moral Defense, Snap Judgment, and Final Judgment. Marcia's latest thriller, released in September 2022, The Fall Girl, was a standalone featuring two leads with alternating chapters. Marcia narrated the audiobook along with TV writing partner, Catherine LePard.
SHOW NOTES:
FORENSIC
SCIENCE TIMELINE
Prehistory: Early cave
artists and pot makers "sign" their works with a paint or impressed finger or
thumbprint.
1000 b.c.: Chinese use
fingerprints to "sign" legal documents.
3rd century BC.:
Erasistratus (c. 304-250 b.c.) and Herophilus (c. 335-280 b.c.) perform the
first autopsies in Alexandria.
2nd century AD.: Galen
(131-200 a.d.), physician to Roman gladiators, dissects both animal and humans
to search for the causes of disease.
c. 1000: Roman attorney
Quintilian shows that a bloody handprint was intended to frame a blind man for
his mother's murder.
1194: King Richard
Plantagenet (1157-1199) officially creates the position of coroner.
1200s: First forensic
autopsies are done at the University of Bologna.
1247: Sung Tz'u publishes
Hsi Yuan Lu (The Washing Away of Wrongs), the first forensic text.
c. 1348-1350: Pope Clement
VI(1291-1352) orders autopsies on victims of the Black Death to hopefully find
a cause for the plague.
Late 1400s: Medical
schools are established in Padua and Bologna.
1500s: Ambroise Paré
(1510-1590) writes extensively on the anatomy of war and homicidal wounds.
1642: University of
Leipzig offers the first courses in forensic medicine.
1683: Antony van
Leeuwenhoek (1632-1723) employs a microscope to first see living bacteria,
which he calls animalcules.
Late 1600s: Giovanni
Morgagni (1682-1771) first correlates autopsy findings to various diseases.
1685: Marcello Malpighi
first recognizes fingerprint patterns and uses the terms loops and whorls.
1775: Paul Revere
recognizes dentures he had made for his friend Dr. Joseph Warren and thus
identifies the doctor's body in a mass grave at Bunker Hill.
1775: Carl Wilhelm Scheele
(1742-1786) develops the first test for arsenic.
1784: In what is perhaps
the first ballistic comparison, John Toms is convicted of murder based on the
match of paper wadding removed from the victim's wound with paper found in
Tom's pocket.
1787: Johann Metzger
develops a method for isolating arsenic.
c. 1800: Franz Joseph Gall
(1758-1828) develops the field of phrenology.
1806: Valentine Rose
recovers arsenic from a human body.
1813: Mathieu Joseph
Bonaventure Orfila (1787-1853) publishes Traité des poisons (Treatise on
Poison), the first toxicology textbook.
1821: Sevillas isolates
arsenic from human stomach contents and urine, giving birth to the field of
forensic toxicology.
1823: Johannes Purkinje
(1787-1869) devises the first crude fingerprint classification system.
1835: Henry Goddard
(1866-1957) matches two bullets to show they came from the same bullet mould.
1836: Alfred Swaine Taylor
(1806-1880) develops first test for arsenic in human tissue.
1836: James Marsh
(1794-1846) develops a sensitive test for arsenic (Marsh test).
1853: Ludwig Teichmann
(1823-1895) develops the hematin test to test blood for the presence of the
characteristic rhomboid crystals.
1858: In Bengal, India,
Sir William Herschel (1833-1917) requires natives sign contracts with a hand
imprint and shows that fingerprints did not change over a fifty-year period.
1862: Izaak van Deen
(1804-1869) develops the guaiac test for blood.
1863: Christian Friedrich
Schönbein (1799-1868) develops the hydrogen peroxide test for blood.
1868: Friedrich Miescher
(1844-1895) discovers DNA.
1875: Wilhelm Konrad
Röntgen (1845-1923) discovers X-rays.
1876: Cesare Lombroso
(1835-1909) publishes The Criminal Man, which states that criminals can be
identified and classified by their physical characteristics.
1877: Medical examiner
system is established in Massachusetts.
1880: Henry Faulds
(1843-1930) shows that powder dusting will expose latent fingerprints.
1882: Alphonse Bertillon
(1853-1914) develops his anthropometric identification system.
1883: Mark Twain
(1835-1910) employs fingerprint identification in his books Life on the
Mississippi and The Tragedy of Pudd'nhead Wilson (1893- 1894).
1887: In Sir Arthur Conan
Doyle's first Sherlock Holmes novel, A Study in Scarlet, Holmes develops a
chemical to determine whether a stain was blood or not-something that had not
yet been done in a real-life investigation.
1889: Alexandre Lacassagne
(1843-1924) shows that marks on bullets could be matched to those within a
rifled gun barrel.
1892: Sir Francis Galton
(1822-1911) publishes his classic textbook Finger Prints.
1892: In Argentina, Juan
Vucetich (1858-1925) devises a usable fingerprint classification system.
1892: In Argentina,
Francisca Rojas becomes the first person charged with a crime on fingerprint
evidence.
1898: Paul Jeserich
(1854-1927) uses a microscope for ballistic comparison.
1899: Sir Edward Richard
Henry (1850-1931) devises a fingerprint classification system that is the basis
for those used in Britain and America today.
1901: Karl Landsteiner
(1868-1943) delineates the ABO blood typing system.
1901: Paul Uhlenhuth
(1870-1957) devises a method to distinguish between human and animal blood.
1901: Sir Edward Richard
Henry becomes head of Scotland Yard and adopts a fingerprint identification
system in place of anthropometry.
1902: Harry Jackson
becomes the first person in England to be convicted by fingerprint evidence.
1910: Edmund Locard
(1877-1966) opens the first forensic laboratory in Lyon, France.
1910: Thomas Jennings
becomes the first U.S. citizen convicted of a crime by use of fingerprints.
1915: Leone Lattes
(1887-1954) develops a method for ABO typing dried bloodstains.
1920: The Sacco and
Vanzetti case brings ballistics to the public's attention. The case highlights
the value of the newly developed comparison microscope.
1923: Los Angeles Police
Chief August Vollmer (1876-1955) establishes the first forensic laboratory.
1929: The ballistic
analyses used to solve the famous St. Valentine's Day Massacre in Chicago lead
to the establishment of the Scientific Crime Detection Laboratory (SCDL), the
first independent crime lab, at Northwestern University.
1932: FBI's forensic
laboratory is established.
1953: James Watson (1928-
), Francis Crick (1916-2004), and Maurice Wilkins (1916-2004) identify DNA's
double-helical structure.
1954: Indiana State Police
Captain R.F. Borkenstein develops the breathalyzer.
1971: William Bass
establishes the Body Farm at the University of Tennessee in Knoxville.
1974: Detection of gunshot
residue by SEM/EDS is developed.
1977: FBI institutes the
Automated Fingerprint Identification System (AFIS).
1984: Sir Alec Jeffreys
(1950- ) develops the DNA "fingerprint" technique.
1987: In England, Colin
Pitchfork becomes the first criminal identified by the use of DNA.
1987: First United States
use of DNA for a conviction in the Florida case of Tommy Lee Andrews.
1990: The Combined DNA
Index System (CODIS) is established.
1992: The polymerase chain
reaction (PCR) technique is introduced.
1994: The DNA analysis of
short tandem repeats (STRs) is introduced.
1996: Mitochondrial DNA is
first admitted into a U.S. court in Tennessee v. Ware.
1998: The National DNA
Index System (NDIS) becomes operational.
SHOW NOTES:
Writers, particularly early in their careers, make mistakes. Often the
same ones over and over. Here are a few pitfalls to avoid.
OVERWRITING:
Too many words
Too cute by far
Strained Metaphors
Purple prose
DIALOG:
Tag alert
Characters all sound the same
Inane conversations
"As you know" chatting
SHOW VS TELL:
DESCRIPTION:
Not too much
Not too little
Just enough-the telling details
SCENES:
In and Out quickly-in medias res
Leave question/tension at end
POV:
Stay in one at a time
Except Omniscient-hard to do
PACING:
Fast but not too fast
Vary pace
BACKSTORY:
How much?
When?
ENTERTAIN:
The one cardinal rule
SHOW NOTES:
It's hard to believe that it's been 50 years. Exactly 50 years.
This show has nothing to do with crime writing or the science of crime. It is rather a step back in world history. And in my personal history. Yes, I was there. Inside the gates of the Cape Canaveral Space Center. July 16, 1969, 9:32 a.m. I remember it like it was yesterday. Please indulge me and join me for this trip down memory lane.
The above picture is more or less the view I had of the launch. The sky was clear, the tension thick, and not a dry eye to be found.
Too often, fiction writers commit medical malpractice in their stories. Unfortunately, these mistakes can sink an otherwise well-written story. The ones I repetitively see include:
Bang, Bang, You're Dead: Not so fast. No one dies instantly. Well, almost no one. Instant death can occur with heart attacks, strokes, extremely abnormal heart rhythms, cyanide, and a few other "metabolic" poisons. But trauma, such as gunshot wounds (GSWs) and blows to the head, rarely cause sudden death. Yet, how often has a single shot felled a villain? Bang, dead. For that to occur, the bullet would have to severely damage the brain, the heart, or the cervical (neck) portion of the spinal cord. A shot to the chest or abdomen leads to a lot of screaming and moaning, but death comes from bleeding and that takes time. Sometimes, a long time.
Ask any emergency physician or nurse. GSW victims reach the ER with multiple holes in their bodies and survive all the time. This is particularly true if it's Friday night (we called it the Friday Night Knife and Gun Club), during a full moon (yes, it's true, a full moon changes everything), or if the victim is drunk. You can't kill a drunk. That's a medical fact. They survive everything from car wrecks to gunshots to falling off tall buildings. The family van they hit head-on will have no survivors, but the drunk will walk away with minor scratches, if that.
Sleeping Beauty: I call this the "Hollywood Death." Calm, peaceful, and not a hair out of place. As if simply asleep. Blood? Almost never. Trauma? None in sight. The deceased is nicely dressed, stretched out on a wrinkle-free bed, make-up perfect, and with a slight flutter of the eyelids if you look closely. Real dead folks are not so attractive. I don't care what they looked like during life, in death they are pale, waxy, and gray. Their eyes do not flutter and they do not look relaxed and peaceful. They look dead. And feel cold. It's amazing how quickly after death the body becomes cold to the touch. It has to do with the loss of blood flow to the skin after the heart stops. No warm blood, no warmth to the touch.
Sleeping Beauty also doesn't bleed. You know this one. The hero detective arrives at a murder scene a half hour after the deed to see blood oozing from the corpse's mouth or from the GSW to the chest. Tilt! Dead folks don't bleed. You see, when you die, your heart stops and the blood no longer circulates. It clots. Stagnant or clotted blood does not move. It does not gush or ooze or gurgle or flow or trickle from the body.
Trauma? What Trauma?: You've seen and read this a million times. The hero socks the bad guy's henchmen in the jaw. He goes down and is apparently written out of the script, since we never hear from him again. It's always the henchmen, because the antagonist, like most people, requires a few solid blows to go down. Think about a boxing match. Two guys that are trained to inflict damage and even they have trouble knocking each other out. And when they do, the one on his back is up in a couple of minutes, claiming the other guy caught him with a lucky punch. Listen to me: Only James Bond can knock someone out with a single blow. And maybe Jack Reacher or Mike Tyson. A car-salesman-turned-amateur-sleuth cannot.
And what of back eyes? If a character gets whacked in the eye in Chapter 3, he will have a black eye for two weeks, which will likely take you through the end of the book. He will not be "normal" in two days. A black eye is a contusion (bruise) and results from blood leaking into the tissues from tiny blood vessels, which are injured by the blow. It takes the body about two weeks to clear all that out. It will darken over two days, fade over four or five, turn greenish, brownish, and a sickly yellow before it disappears. On a good note, by about day seven, a female character might be able to hide it with make-up.
Similarly, what of the character who falls down the stairs and injures his back? He will not be able to run from or chase the bad guy or make love to his new lover the next day. He will need a few days (or maybe weeks) to heal. And he will limp, whine, and complain in the interim. And if he breaks something, like an arm or leg, he'll need several weeks to recover.
I Can Run, and Jump, and Fight Like an Olympian: The typical fictional PI (maybe real ones, too) drinks too much, smokes too much, and eats donuts on a regular basis. He is not training for the Olympics. He will not be able to chase the villain for ten blocks. Two on a good day. And hills or stairs will reduce that to a very short distance. Yet chase montages in movies and books often seem to cover marathon distances. And then a fight breaks out.
Of course, some characters can do all this. Not the PI mentioned above but maybe Dustin Hoffman can. Remember "Babe" Levy (Dustin Hoffman) in Marathon Man? He had to run for his life as Dr. Christian Szell (Sir Laurence Olivier) and his Nazi bad guys chased him endlessly. But early in the film we learn that he runs around the reservoir in Central Park every day. He constantly tries to increase his distance, improve his time. He could run for his life.
Hopefully when you run across medical malpractice in your reading you'll be forgiving and enjoy the story anyway. But maybe not.
SHOW NOTES:
A scene-by-scene analysis of The Terminator
Each scene is either good (+), Bad (-) or Neutral (0) for Sarah Conner, the protagonist.
Watch the movie and rate each scene. You will see that through the first 2/3s of the film things don't go well for Sarah but she overcomes seemingly insurmountable odds to win in the end.
This is how a good thriller is plotted.
The Terminator (1984)
T = The Terminator
R = Kyle Reese
S = Sarah Conner
SHOW NOTES:
Elements of a Thriller
Open with a Bang or a Chill or a Compelling Question
Establish the 4 Ws Early-------Who, What, When, and Where
Inciting Incident---Sets the protagonist's story in motion
Establish the Story Question-What does the Protagonist want/need?
Rising Tension
Who/What opposes the Protagonist and Why?
What does the antagonist want/need?
Establish a Time or Situation Endpoint
Scenes advance or obstruct the protagonist's attaining goal
Each power scene poses a question and ends with:
Yes------------------------------Weak
No-------------------------------Better
Yes, but------------------------Strong
No, and further more------------Strongest
Convergence of Space and Time-"Life in a Trash Compactor"
Epiphany---Protagonist grasps the solution
Personal Jeopardy---Protagonist must fear for personal safety
Mano a' Mano---Protagonist must confront antagonist "face to face"
Resolution---all major story questions are resolved
From Publishers Weekly:
In Lyle's ingenious third mystery featuring retired major league pitcher Jake Longly (after 2017's A-List), Jake, who runs a restaurant in Gulf Shores, Ala., is again roped into working for his father Ray's PI firm. An attorney has contacted Ray on behalf of Billy Wayne Baker, a convicted serial killer. Though Baker pleaded guilty to strangling seven women, he insists that he killed only five of them, and wants that assertion validated. When Jake meets Baker in prison, the murderer refuses to name the other killer, claiming that doing so would lead to accusations that Jake's inquiries were biased. The investigator's task is made even harder by Baker's not even identifying which of the dead women were killed by someone else . (To his credit, Lyle makes this complicated scenario credible.) Along with his girlfriend, Jake travels to Pine Key, Fla., the scene of three of the strangulations, where the couple pretend to be researching a documentary examining the impact of the killings on the small community. The clever plot twists will surprise even genre veterans. This entry is the best in the series so far.
